Categoria | Cultura

Al Teatro Paisiello “Divenire animale” di Astragali Teatro

Al Teatro Paisiello “Divenire animale” di Astragali Teatro

“Divenire animale” pone un punto interrogativo sulla sorte della ‘forma-città’ e della forma-stato e spinge a una riflessione sulle tipologie del politico, sull’azione del potere e, cosa che sicuramente non costituisce un’eccezione per la letteratura antica, sulla relazione tra l’animale e l’umano.

“Che questa interrogazione e questa domanda si attuino nella forma della commedia, di un riso lacerante, della battuta greve, dell’allusione evidente, della sconcezza, conferma ancora una volta il nesso tra riso-potere-oscenità già presente in Lysistrata. Primo studio sull’oscenità del potere”.

E se nelle note di regia di Lysistrata si poteva leggere “Partire dal comico, dalla risata, dalla commedia. Muoversi nel terreno incerto della pancia, del bordo, dentro e fuori, origine del mondo, luogo dove si intrecciano piacere e vita”, Divenire animale va a scavare a fondo, con altre domande cruciali, insieme a Baudrillard, nella relazione tra polis-politica-polizia che rappresenta la politeia. “Esiste una prospettiva disancorata dalla polis, dalla politeia, esiste una dimensione disancorata dalla costruzione del muro, una dimensione in cui la vita si dia umana al di fuori delle forme della polis?
Si può divenire animali in una prospettiva non umana, scevra dall’addomesticamento (Deleuze), dall’assoggettamento e dal consumo?”.

Se da un lato gli argomenti sembrano pressanti, chiamando in causa alcune tra le inevitabili contraddizioni del mondo odierno, dall’altro il lavoro degli attori in scena è sottile, l’azione vuole essere semplice ed essenziale, i corpi danzano, si librano, sono “corpi che non recitano ma parlano parole, in una ricerca d’attore dove è possibile, per ognuno, praticare il suono presso il proprio senso”.
Divenire animale, prima scrittura di una commedia per Fabio Tolledi da Uccelli di Aristofane e Attar, si avvale della consulenza filosofica di Benedetta Zaccarello e delle musiche di Canio Fidanza e Gaetano Fidanza.

Gianluca Conte

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