Categoria | Eventi e Spettacoli

Alle Officine Cantelmo “L’Occhio Magico” di Knulp Malevich

Alle Officine Cantelmo “L’Occhio Magico” di Knulp Malevich

Domenica 15 aprile, alle 18,30, presso le Officine Cantelmo a Lecce, si apre la mostra di Knulp Malevich dal titolo “The Magic Eye”, che propone diversi ritratti di alcuni tra i più importanti e indiscussi maestri della fotografia mondiale.

La mostra, organizzata dalle Officine Cantelmo in collaborazione con FotoScuolaLecce, è a cura di Alessandra De Donatis e sarà visitabile fino al 29 aprile.

I profili dei fotografi in questione sono visti attraverso una lente e sono molto originali. Si parla di personaggi – vale davvero la pena menzionarli – del calibro di Bernard Plossu, Chiara Samugheo, Ferdinando Scianna, Francesco Cito, Gabriele Basilico, Gian Paolo Barbieri, Gianni Berengo Gardin, Giovanni Gastel, Letizia Battaglia, Mario De Blasi, Robert Frank, Massimo Vitali, Rino Barillari, Ernesto Bazan, Tano D’Amico, Nino Migliori. Lo si evince chiaramente dalla presentazione di Pippo Pappalardo, critico d’arte: “famosi artisti dell’otturatore e del diaframma, disposti a reggere un pezzo di vetro, quasi fosse la lente cristallina del loro occhio, e come in un film di Bunuel, ci giocano, quasi fosse una protesi distaccatasi dal loro corpo”.

Nella serata del vernissage verrà proposto al pubblico “The Magic Eye”, libro edito da Il Raggio Verde a cura di Ulderico Tramacere e con il progetto grafico di Bruno Barillari.

“Ho sottoposto al ‘gioco’ i grandi protagonisti della fatale invenzione (la fotografia) e ognuno di loro mi ha donato una possibile risposta (un’immagine)”. A volte era umile, talvolta provocante, spesso sorridente (persino ironica), talaltra contraddittoria, quasi a volermi dire: cosa vai cercando?
Ho capito, da questa esperienza, che neanche un cliché, una cornice, un espediente riesce ad imprigionare la complessità di un volto, per chi vuol guardare, per chi vuol farsi guardare. E io, dietro il mio pezzo di vetro (la macchina fotografica) – sempre più luminoso, sempre più artefatto – io resto ancora nascosto, guardando come un bambino, dentro l’occhio magico del mio strumento, confidando di aver indovinato la giusta sintonia, la registrazione di un’autentica presenza”, spiega Knulp Malevich.

Gianluca Conte

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