Categoria | Cultura

La Bottega del Rigattiere: la scrittura ibrida di Paolo Vincenti

La Bottega del Rigattiere: la scrittura ibrida di Paolo Vincenti

È in libreria La Bottega del Rigattiere di Paolo Vincenti (Lupo Editore), bell’esempio di scrittura ibrida sospesa tra poesia e narrativa, teatro e musicalità della parola.

Un itinerario spazio-temporale dove le due dimensioni non sono mai date per scontate, ma che anzi faticano a manifestarsi, dando luogo a certe a-spazialità e a-temporalità che avvolgono il lettore col manto variegato e suadente del possibile nell’impossibile, del mostrarsi della parola anche dove la parola sembra nascondersi.

Un labirinto scritturale disseminato nel negozio personale di Paolo Vincenti, nel bric-a-brac della memoria senziente  e subcosciente, dove le chincaglierie sono vita. A questo proposito sono chiare le parole di Carmen De Stasio, che nell’introduzione all’opera scrive:

La vita è un groviglio narrativo di episodi, prosodie, chiose, chiuse capitolazioni, capitoli e capitomboli. E allorquando si tratta di capitoli, sono due le opportunità: ovvietà e senso di acquiescenza. Nulla di questo compare nel testo di Paolo Vincenti. E d’altronde è lo stesso titolo a darcene misura.

Il percorso dello scrittore, così eclettico e decentrato rispetto al logos caratterizzante la messa in scena della parola a senso unico, porta, in questo lavoro, ad una quasi sublimazione della promiscuità alchemica dettata dalla formula verbo-voce-pensiero, in un tutt’uno cosmico che trascina l’astante verso una profondità concettuale e un’apertura alla semantica del senso-parola.

Attinente è quanto scritto a proposito dell’opera di Vincenti da Luciano Pagano su Musicaos.it:

La Bottega del Rigattiere di Paolo Vincenti è un testo che racchiude una grande ambizione, quella di costituire un’opera trans-genere, che si presenti allo stesso tempo come prosa, poesia, riflessione, romanzo, teatro; parola scritta e allo stesso tempo spettacolo della parola. Paolo Vincenti non è nuovo a questo tipo di ibridazioni letterarie e, in questa prova, ha raggiunto un equilibrio delle sue potenzialità espressive; non a caso, in contemporanea all’essere-libro della bottega, esiste uno spettacolo musicale-riflessivo-poetico, una sorta di wunderkammer rizomatica e itinerante ideata dall’autore.

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